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Walkthrough for: Phoenix Wright: Ace Attorney
Game: Phoenix Wright: Ace Attorney	Format: Nintendo DS	Ratings Good
Posted by: Cool Boy
Phoenix Wright: Ace Attorney Nintendo DS Walkthrough Story "Why did I become a lawyer? Because someone has to stick up for the People who have no-one on their side."-Phoenix Wright You play Phoenix Wright, a cynical defense lawyer fresh out of law school. He is taking his first cases under the tutelage of the famous Mia Fey, of Fey & Co. Law Offices. Phoenix must learn to survive in an legal system of guilty until proven innocent, where the rules Consistently favor the prosecution. Throughout the game, Phoenix will represent five clients in far- Reaching cases that deal with such subjects as blackmail, the mob, and Police corruption. He will also meet such characters as Maya Fey, Mia's sister who will become Phoenix's assistant, Dick Gumshoe, a somewhat Bumbling detective at the Criminal Affairs Dept., and of course Miles Edgeworth, the requisite "evil prosecutor" who will go up against Phoenix in several trials. How The Game Works During the detective work sequences, you will control Phoenix from a first-person viewpoint. You have five options that will appear on the bottom screen: TALK: If there is someone in front of you, use this to talk to them. You will be presented with a list of subjects to talk about, and it's Recommended you talk about all of them. During conversation, use A or tap the triangle "play" symbol on the bottom screen to cycle through speech sections. EXAMINE: Select this, and you will see the area on the bottom screen, devoid of whoever may be standing there. Use the stylus or D-Pad to move the cursor. When the cursor is over a point of interest, the "Examine" button appears at the bottom-right. Press it for a description of the object. MOVE: This will allow you to move to a different location. A list of accessible areas appears on the screen, so select where you want to go. There are certain areas you can only access from one other area. PRESENT: This allows you to show people items that may get them to say something important. The Court Record will open, and you will pick the item you want to show. COURT RECORD: This is present during both detective work and trial sequences. When you select it in the top-right corner, it shows a list of all the evidence you have collected. Select an item for a short description. Sometimes when you get evidence such as a map or a photograph, the Check button appears in the bottom right. Use this to look more closely. Also, the Profiles section holds bios of everybody relevant to the proceedings. During a trial, cycle through conversation in the same way as above. During a cross-examination, the statements from the testimony appear on the screen, and you can cycle back and forth through them with the two arrows on the touch screen. There are also three options: PRESS: Use this to needle a witness on the subject of whatever statement is currently shown. Sometimes, this is all you need to do to get them to break down. PRESENT: If there is a direct contradiction in the testimony, use this to present evidence from the court record that proves it. Evidence added to the court record or presented is in all caps. COURT RECORD: Same as during detective work. If, during a trial, you present the wrong evidence or say something wrong, you will lose one of five exclamation points you have. If you lose them all, the trial is over and your client is guilty. Also, there are some things you can say that will lose the trial automatically! Very risky! EPISODE 1: THE FIRST TURNABOUT VICTIM: Cindy Stone DEFENDANT: Larry Butz ATTORNEY FOR THE DEFENSE: Phoenix Wright ATTORNEY FOR THE PROSECUTION: Winston Payne WITNESS LIST: Larry Butz, Frank Sahwit Case 1 is the "training" case, and as such, it has no detective work sequence, only a trial. This case is, as Phoenix describes it, a fairly simple one: a model has been beaten to death in her apartment, and Phoenix's childhood friend, Larry Butz, is taking the rap. Phoenix's job is to represent Larry and get him proven not guilty. "Give me the death penalty! I'm not afraid to die!"-Larry Butz After the opening cut scene, in which we see the true murderer, Phoenix and Maya talk in the defendant's lobby for a bit before Larry runs in. He is so despairing over his girlfriend's death that he is ready for the death penalty. Phoenix will introduce himself and the case, and then the trial begins. To start, the judge will give Phoenix a test to make sure he's ready for the trial. There are three questions to answer: Question 1: Please state the name of the defendant in this case. Easy. The answer is Larry Butz. Question 2: Who is the victim in this case? Phoenix doesn't know this one, so Mia will give him a quick tutorial on the Court Record. Check the Profiles section to find that the answer is Cindy Stone. Question 3: What was the cause of death? Check the Court Record again. In the Evidence section, find CINDY'S AUTOPSY REPORT, which states that she died due to blunt trauma. Now that the quiz is over, the judge believes that Phoenix is ready. The judge asks the prosecutor, Winston Payne, to explain what the murder weapon was. He says it was a STATUE of "The Thinker" which will be added to the court record. After this, Payne calls Larry to testify. Payne asks Larry if it's true that Cindy recently dumped him. Larry denies this, but it's true anyway. Payne says that she had returned from Paris with one of her boyfriends the day before the murder. Her PASSPORT is added to the court record. Payne goes on to say that Cindy had "Sugar Daddies" who gave her money that she used to support her opulent lifestyle. Payne then asks Larry what he thinks of Cindy now. Larry could say something to hurt himself here, so Phoenix should stop him from answering. The motive is now clear, so Payne asks if Larry had gone to the apartment on the day of the murder. Larry speaks vaguely, so select to have him answer honestly. Larry will say he went, but she wasn't home. Payne says he was lying, and calls a witness to prove it: Frank Sahwit, the man who found the victim's body. The moment this guy takes the stand, you should recognize him. It's that guy in the purple suit from the opening scene: the true murderer! ------------------------------------------------- Witness Testimony: Frank Sahwit-Witness's Account ------------------------------------------------- Sahwit describes the day of the murder: he was selling newspaper subscriptions door-to-door when he saw a man fleeing an apartment. It was strange because he left the door half-open behind him. Thinking it odd, Sahwit looked inside the apartment and saw the victim lying dead. He was unable to go inside because of fear, and though to call the police, but the phone wasn't working, so he used a public phone at the park. He remembers the time exactly, 1:00 PM, and identifies the fleeing man as Larry Butz. The judge asks why the phone wasn't working, and Payne says there was a blackout. The phone was a cordless one that wouldn't function without power. Payne presents a BLACKOUT RECORD that is added to the Court Record. Mia gives you a tutorial on cross-examinations, and then it's time to pick apart the testimony! ------------------------------------------------- Cross-Examination: Frank Sahwit-Witness's Account ------------------------------------------------- This is quite easy. In this trial, it is not even necessary to ever press the witness. Go to Sahwit's statement about the time: 1:00 PM. Present CINDY'S AUTOPSY REPORT, which identifies the time as three hours later than what Sahwit said. Sahwit will now have to change his testimony to explain why he was so sure of the time. ----------------------------------------------------- Witness Testimony: Frank Sahwit-The Time of Discovery ----------------------------------------------------- Sahwit says that he heard the time when he found the body, and that the voice saying it was coming from the television. He explains that it was three hours off because the victim was watching a tape, and that's why he thought it was 1:00 PM. Time to cross-examine. ----------------------------------------------------- Cross Examination: Frank Sahwit-The Time of Discovery ----------------------------------------------------- Again, very easy. When Sahwit says that the victim was watching a tape, present the BLACKOUT RECORD to prove that the television couldn't have been working. Sahwit will change his testimony again. ----------------------------------------------------- Witness Testimony: Frank Sahwit-The Time of Discovery ----------------------------------------------------- Sahwit didn't hear the time, he saw it. There was a table clock in the apartment, the murder weapon that was used to hit the victim. ----------------------------------------------------- Cross-Examination: Frank Sahwit-The Time of Discovery ----------------------------------------------------- At the statement about the murder weapon, present the STATUE. Phoenix will say it's a statue, not a table clock. Payne explains that the statue is a clock, and if you tilt a switch in the neck, it will say the time. However, there's still a problem with the testimony, so answer "Yes" when the judge asks. The only way Sahwit could have known it was a clock is to hold it in his had, yet he said he never went into the apartment! Select that the witness knew it was a clock because he went into the apartment. Phoenix says the he can prove Sahwit was the one who killed her, and explains that the force of the blow was enough to trigger the clock's voice. The sound left an impression on him, which is why the voice was burned into his memory. Sahwit denies it all and throws his toupee at Phoenix. The judge calls for order, and asks Phoenix for evidence that Sahwit heard the sound from the clock. The sound he heard was definitely it, a fact which is clear if you simply try sounding the clock. The clock rings and announces the time: 8:25. According to Payne, the time is now 11:25, proving that the clock is exactly three hours slow. Sahwit claims you forgot one thing, and that if you can't prove the clock was three hours slow on the day of the murder, there's no case. Phoenix can't prove that, and the cross- examination ends... ...until Mia jumps in. She tells Phoenix to think outside the box, to not doubt the facts and instead wonder WHY the clock was three hours slow. The judge asks for evidence why the clock was three hours slow on the day of the murder. Present the PASSPORT, proving that due to the time difference between here and Paris, the clock was not three hours slow; it was nine hours fast. Cindy had forgotten to reset the clock after returning home from Paris. Sahwit faints, and is arrested. The judge is impressed, and declares Mr. Larry Butz NOT GUILTY!!! Court is adjourned. It turns out Sahwit was a common criminal, pretending to sell papers so he could get into empty houses. As he was searching Cindy's apartment, she returned, and he grabbed a blunt object and beat her to death. Mia congratulates you, but Larry doesn't look so happy: he's still lost Cindy forever. Larry gives Mia a copy of the clock as a gift (he made them both), and talks about Cindy playing him for a fool. Mia says there is something you can show Larry to prove Cindy still had feelings for him. Present the STATUE: Cindy took it with her to Paris, even though it's pretty heavy to carry around. You beat episode 1, but the other episodes are not this short. EPISODE 2: TURNABOUT SISTERS VICTIM: Mia Fey DEFENDANT: Maya Fey ATTORNEY FOR THE DEFENSE: Phoenix Wright ATTORNEY FOR THE PROSECUTION: Miles Edgeworth WITNESS LIST: Dick Gumshoe, April May, Bellboy, Redd White This time around, the victim is your mentor, Mia Fey. She has been beaten to death by the same statue that killed Cindy Stone, although it was swung by a different hand. Her sister, Maya Fey, is incriminated, and you have to represent her. As you investigate the case, you'll turn up blackmail, an evil corporation, and something called DL-6, which is very interesting, you will find out later�. --------------------- FEY & CO. LAW OFFICES --------------------- In the opening scene, you'll here a conversation between Mia and her sister, Maya. After it's all over, you'll gain control in your first detective work sequence. Move to the Office. You'll discover the corpse and briefly meet Maya Fey. After that, you regain control in the office. Examine Mia's body to add THE THINKER and the GLASS SHARDS to the court record. A piece of paper falls from Mia's hand. Examine it: it's got Maya's name written in blood. The RECEIPT is added to the court record. Move to the left and examine the phone to find that somebody was taking it apart. Then, a woman outside the window calls the police. Click move and select the Fey & Co. Law Offices. Maya will show up again and introduce herself. Talk to her about what happened, then about her and the chief. Present the RECEIPT with her name on it, and the police show up. You'll meet Dick Gumshoe, who will see the RECEIPT and believe Mia wrote the killer's name: Maya. Maya is taken to the precinct, and you meet her in the detention center. ---------------- DETENTION CENTER ---------------- Maya asks if you're going to be her attorney, so say that it's up to her. Apparently, Mia advised her not to talk to you if she's in trouble, because you lack experience. Talk to her about Maya to learn that she's a spirit medium in training. Talk about spirit mediums to learn that the whole Fey family is involved in psychic work. However, Maya's still in training, so she can't talk to Mia. Talk about the day of the crime to get an account: that morning, Mia had called her to ask her to hold some evidence: the clock shaped like "The Thinker". Phoenix asks how that could be evidence, and Maya offers to have Mia explain in her own voice, via a recorded cell phone conversation. Talk about your cell phone, and Maya remembers that Gumshoe took it. She gives you a memo to remind you to ask for it next time you see him. MAYA'S MEMO is added to the court record. Also, she asks you a favor: go see a famous lawyer who Mia told her to talk to, and ask him to represent her. Accept the favor: the trial is tomorrow at 10:00. Talk about the day of the crime again to get the full account: she arrived at the office and found Mia dead. Leave the conversation, click move and select the Grossberg Law Offices. --------------------- GROSSBERG LAW OFFICES --------------------- The big boss, Marvin Grossberg, is out. You can look around if you want, but there's really nothing to do here. Go to the Fey & Co. Law Offices. --------------------- FEY & CO. LAW OFFICES --------------------- Here, you'll meet Detective Gumshoe again. Identify him as Gumshoe. Talk about Mia to get MIA'S AUTOPSY REPORT added to the court record. Talk about Maya, and Gumshoe says the trial is unwinnable--Miles Edgeworth is on the prosecution. Talk about Edgeworth: he feels no pain and no remorse, and won't stop until he gets a guilty verdict. He is surrounded by rumors of shady deals and forged evidence, and hates crime with a passion. Present MAYA'S MEMO to Gumshoe, and tell him straight to get the memo replaced with MAYA'S CELL PHONE. Check the court record, and listen to the cell phone conversation. Gumshoe will then mention the witness, Miss April May, the woman who called the police. He can't tell you anything about her, though. Go to the Gatewater Hotel. --------------- GATEWATER HOTEL --------------- Here, you'll meet April May, who will run off to freshen up. This is a prime opportunity for snooping, so examine the drawer with the screwdriver sticking out. Miss May will return and angrily tell you not to touch it. Talk to her about what she witnessed; she refuses to talk. Talk about Miss May, and Phoenix asks her what she does; still nothing. Talk about this room to ask about the two glasses; Miss May still will not say anything. Go to the Grossberg Law Offices. --------------------- GROSSBERG LAW OFFICES --------------------- Grossberg is finally at the office, so you can talk to him. Phoenix mentions that it's about Maya Fey, and Grossberg immediately says he cannot take the case. Talk about his refusal, and he starts acting odd. Talk about Mia to learn that she was Grossberg's apprentice. Talk about the painting to learn that it is extremely valuable, and that he will not part with it. Move to the detention center. ---------------- DETENTION CENTER ---------------- You have to break the news to Maya that Grossberg won't take the case. Phoenix tries lying, but Maya sees through it quickly and realizes he refused. Talk to her about her family--you'll learn that Mia was the only family she had. Her father died when she was young, and her mother is missing. Talk about her mother, and you'll learn that after her family was involved in an incident years ago, a man ruined her mother's life. Talk about her mother's enemy. Apparently, the police attempted to solve a murder by using a spirit medium--Maya's mother. The man the victim's spirit said killed him was found innocent, and a man leaked it to the press that her mother was a "fraud". The man's name was White. The court-appointed lawyer is about to come, and Phoenix wonders what he should do. Select to defend Maya, and explain that you can't abandon her. Maya accepts, and Phoenix asks if she's innocent. She definitely is. Go to the Gatewater Hotel: you have to find out what's in the drawer Miss April May locked. --------------- GATEWATER HOTEL --------------- April May isn't here, but the bellboy is. The bellboy asks you to give May a message: Mr. White of Bluecorp phoned. Phoenix remembers that as the name of the man who ruined her mother's life. Examine the drawer to add the WIRETAP to the court record. Save your data, as you have got far! TRIAL 1 Bottom-feeding, scum-sucking lawyer!"-April May The trial begins with Miles Edgeworth's opening statement. He says that Maya was at the scene, they have evidence and witnesses, and that there is no reason to doubt the facts. He calls Detective Gumshoe as his first witness. Gumshoe uses the floor plans to explain the crime: the body was found by the window, and the murder weapon was another statue of THE THINKER, found next to the body. The FLOOR PLANS are added to the court record. Gumshoe then testifies about Maya's arrest. ------------------------------------------------- WITNESS TESTIMONY: DICK GUMSHOE-MAYA FEY'S ARREST ------------------------------------------------- Gumshoe rushed to the scene the moment he got the call. At the scene, there were already two people: Maya Fey and Phoenix Wright. He arrested Maya, because they had a witness account describing her--a witness who saw the very moment of the murder. ------------------------------------------------- CROSS-EXAMINATION: DICK GUMSHOE-MAYA FEY'S ARREST ------------------------------------------------- Press the statement about the witness account. Phoenix asks what about a witness's claim is the "hard evidence" he described earlier. The judge asks if he has anything else, and Gumshoe mentions that there is something else he should have said earlier. --------------------------------------------- WITNESS TESTIMONY: DICK GUMSHOE-HARD EVIDENCE --------------------------------------------- After securing the suspect, Gumshoe examined the crime with his own eyes. He found a memo next to the body with the word "Maya" written clearly in blood. Lab tests show that the blood was the victim's, and blood was found on the victim's finger. Before she died, the victim wrote the killer's name! The judge has a question: why did he not testify about this the first time! Gumshoe says he was so nervous and embarassed, he forgot. --------------------------------------------- CROSS-EXAMINATION: DICK GUMSHOE-HARD EVIDENCE --------------------------------------------- According to the autopsy, Mia was killed instantly after being struck. She wouldn't have had time to write anything! Present MIA'S AUTOPSY REPORT to bring up this contradiction. Edgeworth asks when you got the report. You received it the day after the murder, which, according to Edgeworth, is dated. Another autopsy was performed, the results of which show that Mia lived for a few minutes after being hit. You have to say something here to stop him; select "you're a sham, Edgeworth!" and you'll ask why he requested a second autopsy. Edgeworth won't answer. MIA'S AUTOPSY REPORT is updated in the court record. Edgeworth will then call April May to testify. ---------------------------------------------- WITNESS TESTIMONY: APRIL MAY-WITNESS'S ACCOUNT ---------------------------------------------- At around 9:00 at night, May looked out the window and saw a woman with long hair (Mia) being attacked. She identifies the attacker as Maya. Mia dodged to one side and ran away, but Maya caught up and hit her. Then Mia kind of...slumped. Say yes when the judge asks whether or not you want to cross-examine. She has to have a weakness! ---------------------------------------------- CROSS-EXAMINATION: APRIL MAY-WITNESS'S ACCOUNT ---------------------------------------------- Press the statement in which Miss May identifies Maya as the killer. May explains that she knew it was her because of her "girlish physique". However, Maya's clothes are much more distinctive than her physique. Select to question the testimony, and say you're willing to bet that she's lying. If May had really seen the defendant, she would have noticed the acolyte's outfit and odd hairdo first! Phoenix proves she was dressed that way on the night of the murder by saying that both he and Detective Gumshoe saw her. The judge asks Miss May to testify again. ---------------------------------------------- WITNESS TESTIMONY: APRIL MAY-WITNESS'S ACCOUNT ---------------------------------------------- May swears she saw everything. The victim dodged the first attack and ran to the right, after which Maya ran after her and hit her with the weapon: that clock, THE THINKER. ---------------------------------------------- CROSS-EXAMINATION: APRIL MAY-WITNESS'S ACCOUNT ---------------------------------------------- There's an obvious problem there: how would she have known the weapon was a clock? Press the statement where she mentions the weapon, then present THE THINKER. There is no way of knowing that it's a clock just be looking at it. Edgeworth attempts to stop the questioning here, but Phoenix continues and forces May to explain how she knew it was a clock. May says that she heard it, but she's never been to the Fey & Co. Law Offices. The law offices are so close to the hotel that she could easily have heard the clock. However, you heard in the conversation at the beginning of this episode that Mia took the workings out of the clock. Say that you're not satisfied because the clock couldn't have rung, and that it was empty. The judge backs up your claim: the clock is missing its clockwork! However, Edgeworth mentions that you can't say there is a contradiction unless the clockwork was removed before the murder. To prove this, present MAYA'S CELL PHONE. Mia, in the conversation recorded the morning before the murder, says she took the workings out! April May says that she knew it was a clock because she'd seen it before at a store. Of course you object to this, so say yes when asked. To prove she had never seen it before, present THE THINKER. It was made by Larry Butz--there are only two in the world! May becomes suspiciously angry when you say this. It's now time to explain why she knew it was a clock. Select that she had heard about it, and present the WIRETAP as proof. Phoenix accuses Miss May of tapping Mia's phone, and prove that Mia said, on the phone, that the statue was a clock by presenting MAYA'S CELL PHONE. In the conversation, Mia identifies it as a clock. Phoenix says that the only way she could have known it is a clock is to have heard it by tapping this conversation. The judge now forces May to answer whether or not she was tapping the victim's phone. She refueses to answer. Alright, you LAWYER, time for the final blow. Select "why the wiretap?" May now has to prove that she has nothing to do with Mia's murder even though she was tapping her phone. Unfortunately, it seems she can pull it off. May says that the murder occurred at 9:00, exactly the time she ordered iced coffee from her bellboy. This proves she was not at the scene of the crime. You have to say something here: call the bellboy as a witness! Edgeworth allows you to call the bellboy, on one condition: if Miss May's alibi is not called into question during his testimony, you must accept that Maya is guilty. Accept the condition to call the bellboy. -------------------------------------------------------- WITNESS TESTIMONY: HOTEL BELLBOY-MISS MAY'S ROOM SERVICE -------------------------------------------------------- The bellboy introduces himself as the head bellboy for the Gatewater Hotel. After 8:00 in the evening he received a call from Miss May, asking for an iced coffee to be brought to her at 9:00 exactly. He brought it to her at the requested time, and delivered it to May herself. -------------------------------------------------------- CROSS-EXAMINATION: HOTEL BELLBOY-MISS MAY'S ROOM SERVICE -------------------------------------------------------- There is nothing you can actually do here, so press every statement until Edgeworth says that there is nothing there. The judge asks the bellboy to leave the stand, but Phoenix should protest. The judge gives you one more question to ask before the bellboy leaves and Maya is found guilty. Ask about check-in. The bellhop says that his first impression was that Miss May was his type of girl, so it was a disappointment that her "lover" was there. Phoenix forces the bellboy to tell him whether or not May checked in with another person. The bellboy says she did, and that he didn't mention it because Edgeworth told him not to if he wasn't asked. Miss May checked in with a man, and when the bellboy brought room service, this man was not in the room. Phoenix says that they have learned of another person who may have been involved, and that it is impossible to judge the defendant in this light. Identify the "other person" as the man with Miss May: a man that has no alibi! It's even more suspicious that Edgeworth hid this man from the court. The judge requests that you look into the matter of this other man, and court is adjourned. After the scene in the lobby, Phoenix mentions that he requested a record of April May's testimony. However, it's so full of lies that only one part was left on record: the account of the murder. The MAY TESTIMONY is added to the Court Record. More work coming up! ---------------- DETENTION CENTER ---------------- At the beginning, you'll be at the detention center talking to April May. She is still mad and doesn't want to cooperate, but she lets you ask some questions anyway. Talk about that "man"--she will not say anything, nor will she talk about the wiretap, or her attitude. Phoenix wonders if there is something she can do to make her talk. Go to the Gatewater Hotel. --------------- GATEWATER HOTEL --------------- Talk to the bellboy about Miss May to learn that he though all along she'd "do it". Talk about the man with Miss May to learn that he could probably identify him if he had a photograph. Talk about the hotel to learn his plans for changing the name, then go to the Grossberg Law Offices. --------------------- GROSSBERG LAW OFFICES --------------------- Examine the wall. There used to be a painting there, of a fisherman. Examine the photographs on the desk. They are marked "DL-6 incident- Exhibits A and B". Take exhibit A to add the PHOTOGRAPH to the court record. The person looks familiar, but the photo is not useful right now, so look at the photos again and swap photos to get exhibit B. This appears as a different PHOTOGRAPH in the court record. Go to the Gatewater Hotel. --------------- GATEWATER HOTEL --------------- Present the PHOTOGRAPH to the bellboy. Apparently, the man in this photo is the man who checked in with Miss May. Have him write an affidavit swearing this fact. The BELLBOY'S AFFIDAVIT is added to the court record. Go to the detention center. ---------------- DETENTION CENTER ---------------- Present the PHOTOGRAPH to Miss May, who denies she checked in with this man and asks for proof. Present the BELLBOY'S AFFIDAVIT to prove who the man is. Select to push her hard, and Phoenix says he will show the photo to the press if she doesn't talk. May will break down and identify the man as her boss, Redd White, the C.E.O. of Bluecorp, an "information gathering conglomerate". She says you could call them a detetive agency, but that she is scared to talk more. Phoenix says he will talk to Redd White himself. Go to Bluecorp. -------- BLUECORP -------- You'll notice that Grossberg's painting is hanging on the wall. Redd White will show up and ask for your name, then introduce himself and his giantesque vocabulary. He will ask what business you have--it's time to ask him some questions. First, talk about Miss May, his secretary. White says it was a shock to hear about her wiretapping, and although she does gather information for the company, they do not use illegal methods. Talk about the night of the murder. He refuses to say whether or not he was in the hotel room with Miss May. He suggests you put him on the witness stand, but says he doubts you could do that. According to him, the police and the courts are mere playthings for his amusement. Talk about Bluecorp to learn that they buy and sell "various kinds of information" and that it was named after the color blue. Finally, talk about the painting, and say that you've seen it before. Phoenix asks why the painting is on his wall. White tells Phoenix that he is a mere lawyer and punches him. He says again: the police and the courts all do his bidding. White suggests that you ask Grossberg about the painting, so go to the Grossberg Law Offices. --------------------- GROSSBERG LAW OFFICES --------------------- Something seems to be bothering Grossberg when you arrive. Talk about today's trial. Grossberg says he went because he was concerned about what would happen to Maya. Talk about his refusal, and he says he just needed time to think about it, but he still seems troubled. Talk about Mr. White, and say that what has been bothering you is that big painting. Yesterday, there was a painting hanging on the wall that he had "no intention of parting with". Today, it's in Mr. White's office. Phoenix says he knows White and Grossberg are somehow connected. Say that White is blackmailing Grossberg, and that the painting is proof. Grossberg says that perhaps this is a good time to "get it off his chest". He says that Redd White makes a living through intimidation, and that Bluecorp excels at finding weaknesses. He himself has been paying them for 15 years due to the "DL-6 incident". He could not defend Maya because Whit would have destroyed him. Grossberg goes on to say that arresting Redd White will be almost impossible, as he has an iron grip on almost everyone with information. Talk about the DL-6 incident. According to Grossberg, DL-6 is the sorting code given to the case by the police department. He mentions that 15 years ago he received a request from a spirit medium: Misty Fey, Mia and Maya's mother. Misty Fey had been investigating DL-6 for the police and failed, causing her to be called a fraud. Grossberg cleared her of wrongdoing, but DL-6 remains unsolved. Talk about the reason for blackmail, and Grossberg explains that Misty's investigation was kept secret, as the police didn't want anybody to know the lengths they'd had to go to. However, Redd White offered Grossberg money in exchange for information on the DL-6 investigation, and he sold out Misty. The police were mocked, and began searching for the one who revealed them. White came to Grossberg, blackmailing him in exchange for protection. Grossberg says that White controls the law as he sees fit, but if you're going to challenge him, you should check Mia's office. Go to the Fey & Co. Law Offices. --------------------- FEY & CO. LAW OFFICES --------------------- Examine the bookcase: it contains the files for every case Mia ever worked on. Choose to look at the A-I file, and select to read it. You'll discover the file on Misty Fey, Mia and Maya's mother. It says that she left home leaving only the words "I have tarnished the Fey name." Determined to discover the people who had humiliated her mother, Mia used her ESP to talk to the dead. She discovered two names: Marvin Grossberg, the lawyer who sold her mother's information, and the man who gave the information to the press, a parasite who makes his fortune on threats and coercion--mysteriously, the record stops there. However, Mia did know Grossberg. Examine the bookcase again and choose the J-S file. Choose to skim and you'll discover a collection of reports on suicide: all of them with the word "White" in Mia's handwriting. White drove all of these people to commit suicide! Phoenix finds the most disturbing one to use in court. The NEWSPAPER CLIPPING is added to the court record. Examine the bookcase one more time and choose to check 'em. You'll discover that the entire W section is missing: W for White! Go to Bluecorp. -------- BLUECORP -------- White tells you to stop bothering him, or a nasty accident may occur. Talk to him about Miss May, and Phoenix decides that talking about her is pointless. You also won't talk about the night of the murder, or blackmail. To put him on the spot, present the NEWSPAPER CLIPPING. You describe the suicide of the politician, and Mia's file, after which you should accuse White of blackmailing the politician. Phoenix also accuses him of blackmailing everyone in Mia's suicide file, and that Bluecorp is built on blackmail. White tells you to search for the murderer instead of him. He tells the secretary to send someone to make you leave. Tell him he's wrong, and that you should be going after him. Mia was keeping tabs on him, so April May tapped her phone. Then she was murdered, and all her documents about White vanished. He did it! White will go on the interphone with the chief prosecutor and say that he wants to testify, and that you are the murderer! Dick Gumshoe appears to take you into custody. ---------------- DETENTION CENTER ---------------- Maya has just been released, and you've taken her place. Phoenix tells her about everything that happened. When Maya asks what she can do, pick the only plausible answer: cheer me on in court. In a short scene, you'll learn about the limit of three days recently put on trials, and then the trial begins. Trial 2 There's a scene in the lobby, in which you'll meet Edgeworth. Apparently, Phoenix knew him from somewhere before. Also, you'll learn that you'll be defending yourself in court. Time to start the trial. Edgeworth makes him opening statement, in which he mentions another witness he is going to call. Raise an objection when you get the chance and ask why this witness was not called before. Edgeworth says that White is a "busy man" and he thought April May's word would be all that was needed. Redd White comes to the stand. White says that he is the CEO of Bluecorp and that he did not know Mia Fey. He witnessed the murder from the Gatewater Hotel. White will then give his testimony. ----------------------------------------------- WITNESS TESTIMONY: REDD WHITE-WITNESS'S ACCOUNT ----------------------------------------------- It was about 9:00, and White was reading some papers by the window. He heard a bedlam coming from outside and turned to the building across the way. Then he saw him: a spiky-haired man attacking a woman with long hair! Needless to say, the man was you. He called Miss May over at once, and she was also flabbergasted. The victim ran away, but you gave chase! There was a terrible "impaction" and then it was all over. ----------------------------------------------- CROSS-EXAMINATION: REDD WHITE-WITNESS'S ACCOUNT ----------------------------------------------- Press the statement about when Mia ran away. White changes him statement to say that she ran to the left. However, that's directly opposite to what April May said! Present the MAY TESTIMONY, which says she ran to the left. White says maybe you misheard her, but Phoenix explains using the FLOOR PLANS: if Mia had run left, she would have been running directly away from her only escape route! You now have to explain the contradiction to the court. Select that both are right, and that there is only one scenario that could explain this: the witness was not viewing the crime from the hotel! He was in the Law Offices of Fey & Co. You now have to use the FLOOR PLANS to show the court where White was standing. You're trying to accuse White of the murder here, so obviously he was standing where the killer was. Select the red circle with the letter K in the middle and present. If he was watching from that point, he would have seen Mia run to the left. White will testify again to clear up this matter. --------------------------------------------------- WITNESS TESTIMONY: REDD WHITE-SHE RAN TO THE "LEFT" --------------------------------------------------- Miss May's testimony, and White's are both correct. When you assaulted the girl, she first ran left, then she was hit. After that, with the last of her strength, she ran right. You chased her and delivered the final blow. That's what Miss May saw. You hit her twice! --------------------------------------------------- CROSS-EXAMINATION: REDD WHITE-SHE RAN TO THE "LEFT" --------------------------------------------------- The final statement about hitting her twice contradicts the autopdy. Present MIA'S AUTOPSY REPORT to remind white that the victim died from a single blow. Didn't White say his statements were perfect? Edgeworth tries to get the judge to call a break, but Phoenix stops him, and White must testify again. ---------------------------------------------- WITNESS TESTIMONY: REDD WHITE-THE TWO ACCOUNTS ---------------------------------------------- He looked out the window when he heard that thing fall. The next moment, he saw Mia run to the left. The killer attacked her, but she dodged, turned, and ran for the door. Then you did her in with a single blow. ---------------------------------------------- CROSS-EXAMINATION: REDD WHITE-THE TWO ACCOUNTS ---------------------------------------------- Press the first statement to ask what "that thing" was. White says it was a glass light stand. When Maya asks, say it's very odd. White will revise his testimony to include the light stand. At the statement about the light stand, present the GLASS SHARDS. There is no way you can know it was a light stand just by seeing the pieces! White says he saw the stand before it fell over, before the victim was attacked. Select that there is a big problemo. White says that he saw the stand through the window of the hotel before it fell. To prove nobody from the hotel could have seen the stand before it fell, present the FLOOR PLANS. Phoenix points out the visible area from the hotel. This area doesn't contain the light stand. The only place White could have seen the stand before it fell is from inside the Fey & Co. Law Offices! He was at the scene of the crime when the murder took place. Phoenix accuses White of the murder, and Edgeworth starts telling him to confess his crime: the crime of placing the wiretap. Edgeworth explains that White had his secretary, April May, tap the victim's phone. However, White himself entered the offices to place the wiretap, and saw the light stand then, not at the moment of the murder. White gives a testimony about the wiretap. --------------------------------------------- WITNESS TESTIMONY: REDD WHITE-THE WIRETAPPING --------------------------------------------- It was the beginning of September, a week before the murder. White entered the Fey & Co. Law Offices to place the wiretap. That was when he saw the glass light stand. --------------------------------------------- CROSS-EXAMINATION: REDD WHITE-THE WIRETAPPING --------------------------------------------- As with the bellboy's testimony earlier, there is nothing you can actually do. Continually press each statement, in order, until Phoenix gives up. Out in the lobby you'll meet...Mia! Apparently, the shock of seeing you give up in court was enough to awaken Maya's psychic ability. Mia is being channeled through Maya. Mia tells you not to give up, and that you've "already won". On the other side of the RECEIPT that White wrote Maya's name on in Mia's blood is a record of purchase. It's for a glass light stand from a famous department store...dated one day before the murder! This, of course, is after White placed the wiretap. He couldn't have seen the glass light stand. The RECEIPT is updated in the court record. Back in court, Phoenix asks for one more chance and Edgeworth agrees. You'll now be cross-examining the same testimony. At the final statement, present the RECEIPT to prove White wrong. When White entered the law offices a week before the murder, the stand was not there. The trial is about to end, but Edgeworth raises another objection: there is no hard evidence that Phoenix is innocent, and that the trial should be extended for one more day so another inquiry can be made. Object to this, and you say that White is obviously guilty and that there is no need to prolong the trial. The judge denies your objection, but Mia gives you a memo to read. MIA'S MEMO is added to the court record. Present MIA'S MEMO: it's a list of names, all people White drove to suicide! Mia threatens to give the list to the press if White does not confess the murder. White yells at her to stop, and then finally confesses to killing Mia. The judge declares the defence, Phoenix Wright, NOT GUILTY! Yeah! EPISODE 3: TURNABOUT SAMURAI (My favorite) VICTIM: Jack Hammer DEFENDANT: Will Powers ATTORNEY FOR THE DEFENSE: Phoenix Wright ATTORNEY FOR THE PROSECUTION: Miles Edgeworth WITNESS LIST: Wendy Oldbag, Cody Hackins, Sal Manella, Dee Vasquez In this episode, the first and one of only two cases in the game that Phoenix has no personal stake in, a popular TV actor is accused of killing his co-star. Phoenix and Maya must investigate his studio and uncover the seething resentment, threats, and mob involvment lurking beneath the studio's happy kid's-show facade. ------------------------ WRIGHT & CO. LAW OFFICES ------------------------ Maya describes the Steel Samurai, the most popular TV hero for young people. Phoenix talks about how he hasn't had a client since his trial, and the scene switches to his bedroom. Maya calls him in the middle of the night. The Steel Samurai killed a villain! Of course this is what he's supposed to do, but he did it in real life! Phoenix goes to the office the next morning. The news next morning descrides the murder. Will Powers, the actor who played the Steel Samurai, killed Jack Hammer, the actor who played the Evil Magistrate, Steel Samurai's perpetual nemesis. Hammer's body was found in the Evil Magistrate costume, pierced with the Samurai Spear. Maya's cell phone suddenly rings. It's the Steel Samurai! He's down at the detention center, so go there. ---------------- DETENTION CENTER ---------------- Here you'll meet Will Powers. Maya is scared of his face, and Powers explains that he got the Steel Samurai job because he would wear a mask. He didn't want to wreck kids' dreams. Talk to him about what happened. Powers explains that yesterday morning, the cast arrived at Global Studios to rehearse action scenes. Another rehearsal was scheduled at 5:00, but when everyone arrived, Jack Hammer was found, killed by the Samurai Spear. Talk about the Steel Samurai. Powers explains that he is the lead in a popular kid's show, walking the streets of Neo Olde Tokyo and doing battle with the Evil Magistrate and his minions, never really defeating the Evil Magistrate. Although he did defeat him this time... Talk about Powers's alibi. He came to the studios at 9:00, and ran through scenes until noon. Before the 5:00 rehearsal, he went to his dressing room to take a nap. He woke up after 5, and hurried to the studios to find everybody looking shocked. They arrested him, although he was sleeping the whole time. It's time to check out the crime scene, so head to the studios. ---------------- STUDIO-MAIN GATE ---------------- An angry old woman stops you here. She is the security guard, and is here to make sure "gawkers" don't get into the studios. Talk about the studios. The security lady mentions that she was once a minor star, and that the studio was much better 10 years ago. Jack Hammer was a star back then as well, but now he's been forced to play villains. Talk about Will Powers. The lady tells you to not be fooled by his mask, and that he couldn't act without it. The Steel Samurai was his big break, but nobody knew he would kill Jack Hammer. Maya says they don't know he's guilty, so talk about the reason for suspicion. Apparently, the security guard was on duty between 1:00 and 5:00. To get to the studio where the murder took place, you have to go through the security booth. Only one person passed the gate between 1:00 and the time of death, 2:30: Will Powers! Talk about Mr. Hammer. Apparently, Jack Hammer was the ultimate action star, and appeared in several samurai movies. However, there was an accident during filming five years ago, and since then, he's been forced to play the villain on a children's program. The lady tells you to go home, and that if you don't have a letter of request, she can't be sure Powers sent you. Go to the detention center. ---------------- DETENTION CENTER ---------------- Talk to Powers about his alibi, and you'll bring up that the security lady saw him. Powers swears he was asleep, and says that maybe the lady only thought she saw him. Talk about the security lady, and Powers tells you about her: she sucks up to all the studio bigwigs, but never lets anybody slip up. He'll then give you a letter asking for representation. POWERS'S LETTER is added to the court record. Go to the studio main gate. ---------------- STUDIO-MAIN GATE ---------------- Present POWERS'S LETTER to the security guard and it will be removed from the court record. She allows you to pass, but only to the studio, and not the employee area. Maya will find a map of the studios in the guard station. The GUIDEMAP is added to the court record. Go to Outside Studio One. ------------------ OUTSIDE STUDIO ONE ------------------ Detective Gumshoe is standing here. He still thinks you're a murderer, and says that Edgeworth is very upset. Talk about the investigation. Gumshoe doesn't want to talk, but after Phoenix asks a bit less directly, he hands over JACK'S AUTOPSY REPORT which goes in the court record. Talk about the reason for arrest. Gumshoe explains that Powers entered studio one, the crime scene, after 1:00. At that time, nobody was in studio one except the victim. The time of death was 2:30, and nobody besides Powers entered the studio before then. With that kind of evidence, the case doesn't look good. Talk about the security lady, and Gumshoe says she gave him an important piece of evidence. Talk about decisive evidence. According to Gumshoe, the security camera on the welcome gate automatically takes a picture of anyone who walks past, and it took one of Powers heading to the scene. Gumshoe gives you permission to interview some of the employees, so go to the main gate. ---------------- STUDIO-MAIN GATE ---------------- Talk to the security lady about photographic evidence. She didn't show it to you because it would be more "thrilling" to talk to the detective. She mentions that the gate with the camera is just to the left of where you are, and that she checks the photos every day. Talk about the automatic camera. It can tell when someone walks through the gate and snaps a photo. Also, it records what time the picture was taken. She views all the photos on the guard station computer every day before going home. You can talk about Mr. Hammer and the reason for suspicion if you want, but the lady just rehashes what she already said on those topics. Go to the employee area. ------------- EMPLOYEE AREA ------------- Nobody's here so you can take a look around. Move left and examine the open grate. The vent is so large a kid could fit through it. Examine the plates on the table to find the remains of yesterday's lunch: the bones from a t-bone steak. Go to Powers's dressing room. ------------- DRESSING ROOM ------------- Examine the bag in the bottom-left corner. Maya finds a CARDKEY which you "borrow" and is added to the Court Record. Move to Outside Studio One via the employee area and main gate. ------------------ OUTSIDE STUDIO ONE ------------------ Examine the gate on the right with "1st" written on it. This gate goes to studio one, and the CARDKEY opens the door. While you're here, examine the camera to find the ID number. Move inside studio one. ----------------- INSIDE STUDIO ONE ----------------- Examine the white tape that outlines where Hammer's body was found. Phoenix notes that there should be some bloodstains. Examine the camera and Penny Nichols, an assistant at the studio, will show up. Talk to her about the day of the crime to learn she was the only assistant on duty. In the morning, WP (Powers) and Hammer ran through their action scenes. After eating lunch, Hammer went to studio one. Then, she saw Powers go into his dressing room, but didn't see either of them after. Talk about Will Powers, and you won't learn much that's useful. In fact, Powers is still looking guilty. Penny says that something's been bothering her: apparently, just after noon on the day of the crime, she "sensed" somebody at the studio, someone who didn't work there. However, if someone had come in, wouldn't the security lady have noticed them? Talk about sensing someone. You don't learn anything, so go to the main gate via outside studio one. ---------------- STUDIO-MAIN GATE ---------------- Talk about the assistant's claim. Phoenix asks if she's sure Powers was the only one to go through the gate between 1:00 and 2:30. Maya says they have a witness who claims someone else was there. The security lady gets so angry that she leaves. Now that she's gone, examine the computer in the booth and select to try it. You have to enter some numbers first. First, the number of the camera. If you examined the camera outside the gate, you'll know the number, so put it in. You'll get a photo of somebody, not necessarily Will Powers, wearing the Steel Samurai costume, dragging his leg. Printed on the back is the text "Oct 15, 2:00 PM, Photo #2". That must mean there's more photo data from that day, but there's nothing else in the computer. POWERS'S(?) PHOTO is added to the court record. Save!!!!! Trial 1 In Edgeworth's opening statement, he says that it is impossible for anyone but Powers to have killed Hammer, and that evidence will point to that fact. Edgeworth then calls Detective Gumshoe to the stand. Gumshoe uses the GUIDEMAP to explain the crime, much like in the last case. First, he points out the locations: the employee area, main gate, and studio one. Only three people were at the studio on the day of the murder: Jack Hammer, Will Powers, and the production assistant. The security lady arrived at 1:00 PM, about when Jack Hammer went to studio one. Later, at 5:00, the staff went to studio one to perform a rehearsal, which was cancelled after Hammer was found killed with the Samurai Spear. Choose to skip it when asked, unless you missed something. The SAMURAI SPEAR is added to the court record. According to Edgeworth, the case is simple if you ask one question: what did the security lady see? Wendy Oldbag, the security lady, comes to testify. After Edgeworth finally gets her to state her name, the testimony begins. ------------------------------------------------- WITNESS TESTIMONY: WENDY OLDBAG-WITNESS'S ACCOUNT ------------------------------------------------- On the day of the murder, Oldbag arrived at the guard station at 1:00 PM. Hammer and the rest had been doing a run-through there since the morning. She had some errands to run that morning, and it was 1:00 when she got there. Oldbag was at the main gate until 5:00. The murder happened at 2:30 PM, and Powers walked by her at 2:00 PM, heading for the studio. ------------------------------------------------- CROSS-EXAMINATION: WENDY OLDBAG-WITNESS'S ACCOUNT ------------------------------------------------- At the statement where Oldbag says it was Powers, present POWERS'S(?) PHOTO. If Oldbag could only identify Powers from the photo, there's no way to know it was him! Apparently, though, Oldbag has more proof it was powers. She testifies again. ---------------------------------------------------- WITNESS TESTIMONY: WENDY OLDBAG-THE MAN IN THE PHOTO ---------------------------------------------------- Oldbag never says anything she doesn't mean. That morning, during the runthrough of the action scene, she saw Powers trip and fall. He broke one of the props and sprained his ankle. In the photo, he's dragging his leg, and that's how she knew it was him. ---------------------------------------------------- CROSS-EXAMINATION: WENDY OLDBAG-THE MAN IN THE PHOTO ---------------------------------------------------- Press the statement about the broken prop to find that it was the murder weapon, the SAMURAI SPEAR, and that a break in the shaft was fixed with duct tape. The SAMURAI SPEAR is updated in the court record. After this, continually press statements until the judge is sure that Powers is in the photo. Object to this, and Phoenix points out that nowhere in the photo can Will Powers be seen. The judge admits there is a possibility that someone not on camera killed Jack Hammer. Edgeworth asks Oldbag to continue her account. -------------------------------------------------------- WITNESS TESTIMONY: WENDY OLDBAG-WITNESS'S ACCOUNT, CONT. -------------------------------------------------------- The time of Hammer's death was 2:30, and the only person she saw go to the studio before then was Will Powers. No-one else went there, if they had, she would have seen them. -------------------------------------------------------- CROSS-EXAMINATION: WENDY OLDBAG-WITNESS'S ACCOUNT, CONT. -------------------------------------------------------- If you'll remember, POWERS'S(?) PHOTO has the words "Photo #2" written on the back. However, if it was the only photo, it would have been Photo #1. Present POWERS'S(?) PHOTO at the final statement ("If they had, I would have seen them") to bring this up. This shows that two people entered studio one that day, and only Oldbag could have erased the other photo. Oldbag gives another testimony. ------------------------------------------------ WITNESS TESTIMONY: WENDY OLDBAG-THE OTHER PERSON ------------------------------------------------ Every day, after Oldbag finishes her guard duties, she has one other job to do. She goes through the photos on the security computer and checks them, throwing out any that aren't suspicious looking. She remembers throwing out one photo that day! ------------------------------------------------ CROSS-EXAMINATION: WENDY OLDBAG-THE OTHER PERSON ------------------------------------------------ Press the statement in which Oldbag says she remembers throwing out a photo, and Phoenix asks who was in it. Oldbag says it was a Steel Samurai fanboy. Often, they try to sneak into rehearsals, and one was there that day. She said no-one else could get in, but there's a drain that leads to the employee area big enough for a kid to fit through. That's where they come in. In the photo Oldbag erased was a young boy, and although it would be very hard for a boy to hold the Samurai Spear, he's still a suspect. The court takes a five minute recess. In a scene, Powers says that anyone could have stolen his Steel Samurai costume, and Phoenix says they have to prolong the trial by targeting someone else. Back in court, Edgeworth says nothing has changed, and that nobody but Powers could have commited the crime. However, there is one other person: the security lady, Wendy Oldbag. Since Will Powers is dragging his leg in the photo, whoever was wearing the suit must have seen the runthrough, and known Powers had hurt his ankle. The only one present besides Powers and Hammer was Oldbag! Phoenix goes on to say that Oldbag was by herself and had no alibi. She could have left her post to steal the costume, gone to studio one, killed Hammer, and gone back to her post. She'd have to steal the costume so she could frame Powers. Edgeworth has nothing to say for once, so press further. The same reasoning can be used to point the finger at Powers and Oldbag. Neither of them have a clear motive. Oldbag then brings up the grade-schooler, and Phoenix says he's not the killer, and that he has proof. The kid could not have entered studio one without a key, and he had no relation to the studios. Present the CARDKEY as proof he didn't do it. The trial is about to end for the day... ...but Oldbag doesn't want it to. Apparently, there was something that someone told her not to say. --------------------------------------------------- WITNESS TESTIMONY: WENDY OLDBAG-MY LIPS WERE SEALED --------------------------------------------------- Global Studios wanted her to keep quiet about something. There were other people at the studio on the day of the murder, who said they had nothing to do with it. They told her to just pretend they hadn't been there, but if she's getting accused, she won't let them off. --------------------------------------------------- CROSS-EXAMINATION: WENDY OLDBAG-MY LIPS WERE SEALED --------------------------------------------------- Press the second statement to ask who the other people were. Oldbag identifies them as the producer and director of the Steel Samurai. The director was in the employee area all morning for the runthrough, then went to join the producer for lunch. There was a meeting after that in the trailer at studio two; the studio you get to by going left after the gate. This is the path where the mascot's head had fallen. Select to take a break, as there is nothing more you can do for now. In light of the new suspects, it's impossible to pass judgement on Will Powers, so there will be another trial. The episode's second detective Work, is going to start, get ready, as it is awesome! ------------------------ WRIGHT & CO. LAW OFFICES ------------------------ Back at the office, you get your next goal: find out more about the director and producer. Talk to Maya about what to do and any ideas, then go to the detention center. ---------------- DETENTION CENTER ---------------- Talk to Powers about the fanboy. He says Oldbag is strict with them, but they really love the Steel Samurai, so they sneak past when she's not looking. Talk about the director to learn that he was there instructing the Steel Samurai and Evil Magistrate on how to move. After Maya scolds Powers on hiding this from them, head to the studio employee area via the main gate. ------------- EMPLOYEE AREA ------------- Penny Nichols is here. She'll leave to fill in for Oldbag at the guard station, so you can look around. Examine the grate. The fanboy from the day of the murder got in that way, and they covered it up.. Maya asks if she can open it, so select to rip it open. Go to the main gate. ---------------- STUDIO-MAIN GATE ---------------- You'll meet Penny again here. Talk to her about the studios. She says there's police everywhere and they won't let her clean up. She hasn't even gotten to clean up lunch from the day of the murder. Talk about the fanboy to learn about one particular kid she sees a lot. Apparently, Oldbag has trouble catching him. Talk about the director, and Penny says she didn't see him because she was in the prop room during the runthrough. They were trying to protect the director, but more the producer: she saved the studios five years ago, and kept them running smoothly. Go to the dressing room via the employee area. ------------- DRESSING ROOM ------------- In here, you'll meet the leetspeaking director of the Steel Samurai, Sal Manella. Maya will give him inspiration for the sequel to the Steel Samurai: "Pink Princess: Warrior of Little Olde Tokyo". Talk to him about the day of the crime. After the runthrough, he and the bigwigs had a meeting at studio two. He was so busy he didn't get to eat lunch. He was in the meeting from 12:00 to 4:00, which gives him an alibi. Talk about the producer to find out that her name is Dee Vasquez, and that she saved Global Studios from bankruptcy. She also produced the Steel Samurai. Talk about the bigwigs. Apparently, they're nobody special: the network boss, sponsors, production guys. They arrived at the studios for the meeting at noon, and Manella was with them the entire time, so they could be witnesses to back up his alibi. Go to outside studio one via the employee area and main gate. ------------------ OUTSIDE STUDIO ONE ------------------ Gumshoe is tied up with paperwork after the trial, which gives you an opportunity to check out studio two. Go there. ------------------ OUTSIDE STUDIO TWO ------------------ An odd noise is coming from the trailer, but it's locked. There might be a key at the main guard station. While you're here, note some important things: the van, the incinerator, and the plates on the table. Go to the main gate via outside studio one. ---------------- STUDIO-MAIN GATE ---------------- Oldbag is back, and none too happy about you getting her arrested. Apparently, the police tried to make her wear the Steel Samurai costume, but she couldn't and they let her go. Talk to her about the fanboy. She says she'll "take him down". Talk about the director, et al--she's taking him down too. Obviously in this state she won't let you into the guard station, so go to the employee area. ------------- EMPLOYEE AREA ------------- The fanboy appears and introduces himself as Cody Hackins. Talk to him about the Steel Samurai. He and Maya argue for a moment, but nothing much happens. Talk about what happened. Cody says that the Steel Samurai "always wins" and that he saw everything, but "no way is he telling you losers". As he runs, he knocks something off the table: an EMPTY BOTTLE which is added to the court record. Go to the main gate. ---------------- STUDIO-MAIN GATE ---------------- Oldbag is occupied chasing after Cody, so examine the key rack in the guard station to add the TRAILER KEY to the court record. Go to studio two via outside studio one. ------------------ OUTSIDE STUDIO TWO ------------------ Examine the trailer door to unlock it with the TRAILER KEY. Move to the trailer. ------- TRAILER ------- Inside, you'll meet Dee Vasquez, the producer. No matter what you talk to her about, she'll ask for the script to episode 13 of the Steel Samurai. If you talk to her about the director, she'll give you VASQUEZ'S MEMO, asking Sal Manella for the script, which goes in the court record. If you examine the posters on the wall, you'll see some of Jack Hammer's samurai movies. Move to the dressing room via outside studio two, outside studio one, the main gate, and the employee area. ------------- DRESSING ROOM ------------- Show VASQUEZ'S MEMO to Manella, but he can't seem to find the script to episode 13. Maya suggests that it would be faster to look everywhere he might have been. Go to studio one via the employee area, main gate and outside studio one. ----------------- INSIDE STUDIO ONE ----------------- The most likely place for a director is a director's chair, right? Examine the chair to get the SCRIPT for episode 13 in the court record. Go to the trailer via outside studio one and outside studio two. ------- TRAILER ------- Give Vasquez the SCRIPT. She'll relent and talk about the day of the murder. There was a meeting from noon until 4:00, and she claims it was impossible for anybody from the trailer to go to studio one because the path was blocked. Talk about the blocked path. Vasquez explains that the head of Mr. Monkey, the mascot, fell of in the wind and landed in the path. The head wasn't moved out of the way until 4:00, well after the time of death. Everyone in the trailer was stuck there during the murder and could not have gone to studio one. Maya points out that the head could have fallen after the murder, and Vasquez takes you outside studio one to explain. ------------------ OUTSIDE STUDIO ONE ------------------ According to Vasquez, when the head is functioning normally, it announces the time in ooks: one ook per hour. The clock inside is stopped at 2:15, before the time of death. MR. MONKEY'S HEAD is added to the court record. There's nothing much you can do now, so go to the Wright & Co. Law Offices via the main gate. ------------------------ WRIGHT & CO. LAW OFFICES ------------------------ Just when things are looking grim, Maya calls Mia in to save the day! Mia reminds you that you still have one lead: Cody Hackins. All you have to do is find a way to get him on your side. Talk about what to do and any ideas, then go to the studio main gate. ---------------- STUDIO-MAIN GATE ---------------- Wendy Oldbag is here, huffing and puffing after chasing Cody. She says she has a "hostage" now. Talk about the fanboy, she's still very violent. Talk about the director. Oldbag changes the subject: she says that before she "goes" she'd like to visit the place where Hammer died. Talk about the hostage. It seems to be something Cody would come back for, so Mia suggests that you can trade for it. Give her the CARDKEY so she can visit the site of Hammer's death and she'll give you the hostage: a STEEL SAMURAI CARD which is traded for the CARDKEY in the court record. Go to the dressing room via the employee area. ------------- DRESSING ROOM ------------- If you talk to Cody about the Steel Samurai or what happened, he won't talk. Give him the STEEL SAMURAI CARD. It doesn't work, he has a double of that card, and wants a really rare card before he'll tell you anything. Move to the trailer via the employee area, main gate, outside studio one and outside studio two. ------- TRAILER ------- Talk to Penny about the fanboy to get her thoughts on Oldbag's chase. Talk about Mr. Hammer, and you'll learn that his popularity is waning because of "what happened". Talk about what happened and Penny won't say anything. Present the STEEL SAMURAI CARD and agree to trade to get a URP CARD (Ultra Rare Premium). Move to the dressing room via outside studio two, outside studio one, the main gate, and the employee area. ------------- DRESSING ROOM ------------- Give Cody the URP CARD and he'll finally agree to talk. Talk about the Steel Samurai. Cody asks what your favorite thing about the Steel Samurai is. Say it's his fighting skills. Cody will give you his Steel Samurai fan album, which he calls PATH TO GLORY, for the court record. Talk about what happened: looks like he's about ready to spill. Talk about what he saw. Cody says he got to the studio around 2:00, through the back woods so Oldbag wouldn't catch him. He got lost and was in the woods for half an hour before he found the studio. After that, he saw the Steel Samurai kill a bad guy! It happened so fast, he got scared and went home. Phoenix and Mia agree that it would be better not to call Cody as a witness in court. However, Detective Gumshoe was there and saw everything, and Cody will be taking the stand tomorrow. Of course this means you're pretty much screwed in the trial. Mia asks you if you really believe Mr. Powers is innocent. Say you BELIEVE. Save, get ready for some more fun trial. Trial 2 Edgeworth begins by saying he has evidence to present that will prove nobody else at the studio was involved in the murder. He calls his first witness, Sal Manella. After yet another harrowing "name and profession" segment, Manella gives his testimony. ------------------------------------------------ WITNESS TESTIMONY: SAL MANELLA-WITNESS'S ACCOUNT ------------------------------------------------ Manella was at the studios from around 9:00 in the morning. During the morning, he was at the action-scene runthrough, which took a lot more time that he thought it would. He heard that everyone else ate lunch in the employee area, but he had a meeting in the studio two trailer, so he ended up skipping lunch. He was in the meeting until around 4:00. During the meeting, he's pretty sure no-one left their chairs. ------------------------------------------------ CROSS-EXAMINATION: SAL MANELLA-WITNESS'S ACCOUNT ------------------------------------------------ Remember from the investigation that two plates were found at the table outside studio two. This means somebody did eat lunch. Press the statement in which Manella says he skipped lunch. When Mia asks, say it's contradictory. Manella says that he brought it to the trailer and thought he could eat it later, and that he wolfed it down during a fifteen-minute break in the meeting. Now that you know this, press the statement in which Manella says no- one left their chairs. His statement about a break contradicts this. Select to press harder, and Manella will testify about the break. ---------------------------------------- WITNESS TESTIMONY: SAL MANELLA-THE BREAK ---------------------------------------- They did take a break, but it was only fifteen minutes! Not enough time to commit murder in studio one. Barely enough to eat a T-bone steak! ---------------------------------------- CROSS-EXAMINATION: SAL MANELLA-THE BREAK ---------------------------------------- Press all of the first three statements. Edgeworth says that this questioning is pointless, and that nobody in the trailer could have gone to studio one. The judge asks if you claim somebody from the trailer went to studio one. To avoid losing an exclamation point, say it's impossible. Edgeworth explains about Mr. Monkey's head. Manella is relieved from the stand, and Edgeworth says he has another witness. Court takes a recess, and after an inspirational scene in the lobby, Edgeworth calls Cody Hackins to the stand. Yet again, he can't get his witness to state his name and profession. Cody says he was at Global Studios on the day of the murder. CODY'S CAMERA is added to the court record before the testimony. ------------------------------------------------- WITNESS TESTIMONY: CODY HACKINS-WITNESS'S ACCOUNT ------------------------------------------------- Cody wanted to see a Steel Samurai rehearsal, just once. He found a map on the internet, and went to the studios that day. He went through the woods, off the path, so the old lady wouldn't catch him. He was going for the studio, but got lost along the way for about 30 minutes. When he came out by the studio, there was the Steel Samurai! It totally rocked! Right before his eyes, out came the bad guy, and of course, the Steel Samurai took him down! If he'd had his camera, that would have been the time for a shot. Anyway, he couldn't get into the studio, so he went home. ------------------------------------------------- CROSS-EXAMINATION: CODY HACKINS-WITNESS'S ACCOUNT ------------------------------------------------- The statement at issue is the one that mentions his camera. According to Cody, he always has it, and yet, at the prime time for a shot, he didn't! Present CODY'S CAMERA at that statement to prove this. Apparently, Cody didn't take a picture because he was too busy watching. He will testify again. ------------------------------------------ WITNESS TESTIMONY: CODY HACKINS-WHAT I SAW ------------------------------------------ Cody had his camera with him, but he was glued to the action and couldn't take his eyes off it. The Steel Samurai went for the bad guy, and the bad guy stopped moving. The Steel Samurai rules! ------------------------------------------ CROSS-EXAMINATION: CODY HACKINS-WHAT I SAW ------------------------------------------ Press the second to last and most vague of the statements ("the bad guy stopped moving"), and select to press him harder when prompted. Cody's vague description suggests that he didn't watch the final blow of the fight, even though he was "glued to the action". The judge asks you why such a fan of the Steel Samurai would not have watched the best part of a real-life fight. Select to show evidence. The only other thing Cody would have been looking at during the fight was his camera, which he was trying to figure out how to use! Present CODY'S CAMERA, proving that the only reason he looked away was that he was trying to take a picture. Phoenix requests that Cody testify again. ----------------------------------------- WITNESS TESTIMONY: CODY HACKINS-NO PHOTO? ----------------------------------------- The Steel Samurai had just escaped from the clutches of the villain, so Cody held up his camera to take a picture. The lens wouldn't open, though, so he missed it. That's all that happened. Yup. ----------------------------------------- CROSS-EXAMINATION: CODY HACKINS-NO PHOTO? ----------------------------------------- Press the final statement, in which Cody says that's all that happened, and select to press him hard. Instead of not getting to take a picture, he took one, and for some reason deleted it. This adds a new statement: Cody took a few shots, bu they were too late, so he erased them. Press the new statement, and Phoenix asks why Cody would erase a picture of the Steel Samurai victorious. Cody says he wouldn't want to keep a picture like that. Present PATH TO GLORY, the fan album, at the same statement, and Phoenix says that with his perfect record of final blow shots, it's hard to believe he would erase one! The judge asks why he would erase them. There's only one plausible explanation: there was no killing blow, because Steel Samurai didn't win the fight! For Cody, it was impossible for the Steel Samurai to lose. He witnessed a bad guy defeating his hero, erased the photos and lied about ever taking them. He couldn't handle the truth. Cody admits you're right: the Steel Samurai, not the bad guy, was the one that fell. When Edgeworth asks what's going on, say that Steel Samurai was the victim. In other words, Jack Hammer, not Will Powers, was wearing the costume! Hammer knew about Powers's injury, and nobody saw him going to studio one, nor was there a photo. Cody says there was one piece of data he saved, a photo on his digital camera. The photo doesn't look very useful, but Mia seems to think there's a glaring contradiction. You'll now be faced with finding the inconsistency in the photo. Look at the top-left: there's the bottom of a number 2! Place the crosshairs there and present. You now have to show the judge where the true murder took place. Select Studio Two with the crosshairs and hit present. The scene of the crime was not studio one, but studio two! It's very significant, of course, because the trailer was there! In fact, Will Powers is one of the only people at Global Studios who could not have commited the murder. There was a break in the meeting at 2:15, and Sal Manella and Dee Vasquez were eating steak outside, at the scene of the crime! The path was blocked at 2:15, so Hammer must have gone before then. He stole the costume from Powers and went to Studio Two. However, now you have to prove he stole the costume. Say you have proof, and present the EMPTY BOTTLE. The label reads "sleeping pills" and it was found on the table where Powers and Hammer ate lunch. Powers spent the afternoon asleep because Hammer drugged him! Phoenix then mentions an idea. Select to fingerprint the bottle to give the EMPTY BOTTLE to the judge. Court is adjourned, and Phoenix has to find out why Hammer stole the costume and went to studio two. After a scene in the lobby, the final detective work, which is even more awesome. ------------------------ WRIGHT & CO. LAW OFFICES ------------------------ Mia has turned back into Maya again, and you have to find out why Hammer did what he did quickly. Under the new legal system, the trial can last only one more day before WP is automatically guilty. Talk about the Steel Samurai to rehash what you need to find out. Talk about the director's alibi: it's pretty obvious, due to the circumstances, that either Manella or Vasquez was the killer. Talk about any ideas, then go to the detention center. ---------------- DETENTION CENTER ---------------- Talk to Powers about producer Vasquez. Powers says she's well respected in the industry, and that nobody questions her because she steadily creates hits. Talk about director Manella. He used to direct straight- to-video, but Vasquez brought him the idea for Steel Samurai, and now he's famous, but under Vasquez's control. Talk about Mr. Hammer, and Maya asks why he disappeared from the limelight five years ago. He used to be Powers's role model, but stopped taking big roles and began appearing in Global's productions. Incidentally, five years ago was when Vasquez arrived at Global Studios. Go to the Main Gate. ---------------- STUDIO-MAIN GATE ---------------- Oldbag is not in high spirits. Talk about Vasquez. Apparently, she always gets her way because the bigwigs love her, and Oldbag's not supposed to talk about her. Talk about Manella to learn that he is soft and Vasquez treats him like dirt. Talk about Mr. Hammer. Oldbag gets very angry when you ask, and says it's impossible for him to be a common criminal. Go to the employee area. ------------- EMPLOYEE AREA ------------- Dick Gumshoe shows up to stop you from touching any evidence, then reveals that he's here to examine the plate on the table for traces of sleeping pills. Talk about the plate. Gumshoe says he's going to test it with a special fluid that would change color on contact with sleeping pills. The test reveals that there were indeed sleeping pills on the plate, and the STEAK PLATE is added to the court record. Talk about the investigation. Gumshoe tells you it's a total mess, that the investigators are split between the case against Powers and a different suspect. Gumshoe says he doesn't buy the case against Powers anymore, which is a good sign. Talk about Prosecutor Edgeworth. Gumshoe mentions that Edgeworth squeezed a paper cup full of coffee, and this leads Phoenix to ask about the bottle. Gumshoe gives you the EMPTY BOTTLE and tells you that tests showed Jack Hammer's prints on the bottle. Go to the dressing room. ------------- DRESSING ROOM ------------- Penny Nichols is in here cleaning up the room because "WP won't be using it anymore." She then tells you that this week is the last episode of the Steel Samurai. Talk about Mr. Hammer to learn that some sort of accident happened during filming five years ago, and that Vasquez used it to blackmail Hammer. Talk about the last episode to learn that the show can't continue without Hammer as the Evil Magistrate, and that Global Studios is going to stop making kid's shows. Talk about studio policy to learn that the bigwigs want to forget this happened. Maya tells Penny about all the kids who will be heartbroken, but Penny thinks they'll find a new hero. Phoenix thinks evidence is called for, so present the one piece of evidence you have that will show her how much the kids care: Cody's fan album, PATH TO GLORY. Penny believes you're right and ask what she can do. Phoenix says she can tell them about the incident five years ago that wrecked Hammer's career. Talk about five years ago. Penny explains that someone died while filming a scene, and although it was an accident, it was Hammer's fault. She then says to ask Oldbag more about it. Go to the main gate via the employee area. ---------------- STUDIO-MAIN GATE ---------------- Talk to Oldbag about five years ago. Oldbag gets mad that you're dredging up dirt, and asks for proof that Jack Hammer stole the Steel Samurai costume. Say you have proof and present the same evidence that worked in court: the EMPTY BOTTLE. This doesn't prove that Hammer used the pills on Powers, though, so present the STEAK PLATE. Oldbag finally agrees to talk. Five years ago there was a fatal accident, and paparazzi took a photo of it. Vasquz made it better, though. She used her ties to the mafia to silence the press, then became a force at the studios. Oldbag gives you the FIVE-YEAR-OLD PHOTO which is added to the court record. Go to studiot wo via outside studio one. Time to put Vasquez on the spot. ------------------ OUTSIDE STUDIO TWO ------------------ Unfortunately, Vasquez is "watching the clouds" and doesn't want to answer any questions. Talk about Mr. Hammer: no response. Talk about Will Powers. Nothing happens, but Maya's "Fey blood" tells her that Vasquez is the killer. Talk about director Manella, still nothing. You only have one thing that can faze her, so present the FIVE-YEAR OLD PHOTO. Vasquez appears surprised, and asks to talk about it inside. Go to the trailer. ------- TRAILER ------- Phoenix accuses Vasquez of blackmailing Hammer and forcing him to work for small change. Vasquez denies this and says that Hammer destroyed his own career. She goes on to insinuate that what you assumed to be an accident was actually murder. Vasquez forces you to hand over the FIVE- YEAR-OLD-PHOTO, and calls in her "professionals" to help her. Just as Phoenix and Maya are about to be "erased", Detective Gumshoe jumps in to save the day, and forces Vasquez to appear in court tomorrow. Save your data. Time to figure out the TRUTH! Trial 3 "It was Mr. Hammer who was out for blood!"-Phoenix Wright Edgeworth notes the alternate theory you presented yesterday, and says that truth will become clear from the testimonies of those in the trailer. He then calls Dee Vasquez to testify. After Edgeworth actually gets her to immediately say her name and profession, she testifies. ---------------------------------------------------- WITNESS TESTIMONY: DEE VASQUEZ-THE DAY OF THE MURDER ---------------------------------------------------- Vasquez entered the trailer a little before noon. The meeting began at 12:00 sharp and ended at 4:00. There was a rehearsal afterwards, so they went to studio one. She was fatigued, so she had Sal take her. There was a 15-minute break in the meeting at 2:30, during which she and Sal ate T-bone steaks in front of the trailer. They found Hammer's body later, when they all went to studio one. The judge asks about the "I had Sal take me" part, and Vasquez said they took the van. The VAN is added to the court record, and the cross- examination begins. ---------------------------------------------------- CROSS-EXAMINATION: DEE VASQUEZ-THE DAY OF THE MURDER ---------------------------------------------------- The most suspicious thing in earlier testimonies has proved to be the eating of T-bone steak, so press the statement in which Vasquez mentions this. No good--Phoenix needs some evidence to prove she didn't eat the steak and had time to commit murder. Remember from your investigation of studio two that there were plates on the table. However, there was something odd about the plates: there were no bones! You can't eat a T-bone steak and leave no bones, so present the STEAK PLATE (on it is a large bone) to prove this. Phoenix says he knows how you can leave no bone after eating a T-bone steak. Select the only meaningful answer: that she didn't eat the steak, but burned it in the incinerator. You now have to say what she was doing instead. Of course, she was meeting the Steel Samurai. As Vasquez left the trailer, intending to eat her steak, she ran into Jack Hammer, wearing the Steel Samurai costume. Then, she killed him! Vasquez says that if you're going to say she did it, then she'll face you in a battle of wits. Vasquez says that she is of "petite stature" and could not possibly wield the heavy SAMURAI SPEAR. When prompted to reply, agree and say she couldn't. However, that doesn't mean she couldn't have done it: the spear was not the murder weapon! You now have to prove this. Recall that the SAMURAI SPEAR was broken the morning before the murder, and that Wendy Oldbag fixed the shaft with duct tape. It's not possible to use something so flimsy to pierce the chest of a man wearing a heavy costume! Present the SAMURAI SPEAR to prove it. Vasquez angrily asks what was the murder weapon if it wasn't the spear. Select that you can tell them, and you'll have to present the true murder weapon. Remember another death that happened in just about the same place: that's right, the one in which Hammer was involved. Present the FIVE-YEAR OLD PHOTO. The fencepost pierced Hammer's chest! Phoenix describes the situation in detail. It's 2:30 on the day of the crime. Dee Vasquez meets Jack Hammer outside the studio two trailer, and pushes Hammer off the stairs onto the fence, exactly like what happened five years ago. Edgeworth and Vasquez bring up another problem: how could she have carried the body to studio one and placed it in the Evil Magistrate's outfit during a break that was only fifteen minutes long? Say that she had another way, and present the best mode of transportation in the court record: the VAN. Vasquez used the VAN to carry the body to studio one, and placed the body in the costume before anybody else arrived. Edgeworth says that Sal Manella drove the van. When asked, say that Manella was a conspirator. Vasqeuz had to dispose of the body, change the costumes, and destroy the Steel Samurai outfit: she couldn't have done it alone. The costume was covered in Hammer's blood, so Vasquez and Manella burned it in that ever-useful incinerator. Upon Phoenix finishing this accusation, Vasquez appears to admit defeat, throwing the courtroom into awkward confusion. Vasquez then says that you have only proved that she could have done it, and not that she did do it. She tells you that you don't have decisive proof. Edgeworth doesn't seem too sure about things, but Vasquez tries to leave. Force her to testify again! Vasquez tells you it's a dead end, and the judge tries to end the cross-examination, but an objection is raised by none other than Edgeworth! He forces Vasquez to testify about what happened after she found the body. Apparently, Edgeworth's finally realized she's guilty. ----------------------------------------------------- WITNESS TESTIMONY: DEE VASQUEZ-AFTER FINDING THE BODY ----------------------------------------------------- Vasquez was with Sal and Oldbag when they found the body. The assistant was there too, and the only one absent was Will Powers. Vasquez called the police, and then Powers showed up. Oldbag was agitated, and pointed at Powers, saying, "he did it!". Vasquez asked to be left out of the proceedings. She went back to the trailer to get her script and production notes, then went home. ----------------------------------------------------- CROSS-EXAMINATION: DEE VASQUEZ-AFTER FINDING THE BODY ----------------------------------------------------- Press the statement about the script and production notes, and Vasquez explains that they're valuable and she didn't want them stolen. Press harder, and Phoenix asks why she didn't bring her notes to a rehearsal. Vasquez thought they wouldn't be able to rehearse anything because of the murder. Edgeworth raises an objection, though. Edgeworth says this means Vasquez would have had to know about the murder before going to studio one for the rehearsal. Everybody is surprised that the prosecution is supporting the defence's case, and Vasquez must explain. A statement is added to her testimony saying that she knew Hammer was injured and couldn't do any scenes. Now that you worked so hard to get that statement to appear, it's obvious you have to do something with it, so press it. Apparently Sal Manella told Vasquez that Hammer was injured. Wait a minute, though! It wasn't Hammer who was injured, it was Powers! Present POWERS'S(?) PHOTO to bring up this contradiction. Vasquez says Sal must have gotten it wrong, but Phoenix explains that Manella was there when Powers was injured, so he would have known. Say that Vasquez saw Hammer limping, while he prentended to be Powers. He was only limping after he put on the costume and went to the scene of the crime. This proves that Vasquez saw him limping just before he died, and thus, that she was there when he was killed! It's not over yet. Vasquez needs one more thing: a motive. Say that you can prove it, and you'll have to present evidence. The piece of evidence most relevant to any motives in this case is the FIVE-YEAR-OLD PHOTO, so present that. This is a photo of the incident that Vasquez held over Hammer and used to blackmail him. Phoenix can safely make this accusation now that Vasquez has no mafia goons with her. However, as the judge points out, this would only be evidence if Hammer had killed Vasquez. In fact, Vasquez would have no reason to kill a source of income. You now have to explain Vasquez's motives. You might be tempted to show evidence, but instead, select that she had no motive. It was Hammer that drugged powers, stole the costume, tricked Oldbag, and tried to kill Vasquez. She had merely pushed him off the stairs in self-defence! Vasquez finally confesses, and we get a short scene in which a man named Manuel is killed by Hammer, five years ago. The judge declares Will Powers NOT GUILTY!!! It's still not over, though. In the lobby, Powers asks Phoenix why Hammer would want to frame him. Select to show evidence, and present PATH TO GLORY. Hammer wanted to frame Powers because Powers was the Steel Samurai, beloved by kids, and Hammer was playing the villain in a kid's show. Enjoy the ending cutscene for this case, in which Edgeworth once again claims to know Phoenix, and the Pink Princess is introduced. Now it is time for the next awesome episode. Episode 4: Turnabout Goodbyes VICTIM: Robert Hammond DEFENDANT: Miles Edgeworth ATTORNEY FOR THE DEFENSE: Phoenix Wright ATTORNEY FOR THE PROSECUTION: Manfred von Karma WITNESS LIST: Dick Gumshoe, Lotta Hart, Boat Shop Caretaker, Larry Butz, Polly the Parrot, Miles Edgeworth You read that right: the defendant this time around is Miles Edgeworth. In the opening scene he shoots a man on a boat in the middle of a lake: or does he? Phoenix and Maya's investigation of this case will lead to the mysterious DL-6 incident, and involve such misadventures as a search for a lake monster, cross-examination of a parrot, and a trial against one of the most evil prosecutors in the business. The episode opens with a scene of two men on a boat, one of whom is Miles Edgeworth who may or may not have shot the other one. After that, the detective work sequence starts at the Wright & Co. Law Offices. ------------------------ WRIGHT & CO. LAW OFFICES ------------------------ Maya is looking for a good waterfall in the area so she can continue her spirit medium training. Phoenix suggests she just take a cold shower, and she runs off. The TV then plays a news report about "Gourdy" a large, unidentified animal found in nearby Gourd Lake. The news then switches to the murder on Gourd Lake. The body of a man was found in the lake early this morning, and police have arrested Miles Edgeworth as the suspect. Phoenix tells Maya, who says they should go find out about it. Talk to her about what to do and any ideas, then go to the detention center. ---------------- DETENTION CENTER ---------------- Here, you'll meet Edgeworth, who's not in a good mood. Talk to him about what happened. He asks what you'll do about it. Maya says you'll help him, but Edgeworth doesn't want you to since you're a novice. Talk about Gourd Lake to ask him why he was down there. Edgeworth relents and says he went to see Gourdy. It seems Edgeworth doesn't want your help, so present the ATTORNEY'S BADGE. Phoenix asks Edgeworth to let him defend him, but Edgeworth still doesn't want you to. Apparently, though, every defence attorney he's talked to has turned him down. Talk about did you do it. Edgeworth tells Phoenix to think what he will, but requests that he stay out of the case. Go to the Gourd Lake Entrance. ------------------- GOURD LAKE ENTRANCE ------------------- There are some police walking around, including Detective Gumshoe, who is chewing out his men about the lack of good clues. He seems quite ready to help you, although he seems unhappy that Edgeworth hasn't asked you to defend him. Talk about what happened. Apparently, 15 minutes after midnight, there was a boat on Gourd Lake with two men in it. One of them, Edgeworth, shot the other with a pistol, and a cop on the scene arrested him. Maya asks how he got there so fast, and Gumshoe says there was a witness who made a call. Talk about Edgeworth. Gumshoe fervently denies that he could be a murderer, and that he doesn't believe the case even though there's a witness. However, the police are so convinced it was Edgeworth that they're not even taking the investigation seriously. Talk about the defence request. It's true that nobody will take Edgeworth's case. He's a celebrity, and your reputation would take a big hit if you lost. Also, the case against him is very solid. Gumshoe reminds you about Edgeworth's help with the Steel Samurai incident, and tells you not to turn your back. He's mystified, though, that Edgeworth would not want your help. Talk about the witness to learn that their identity is confidential, but they saw everything and were the only witness. Gumshoe is then called off to an investigation brief meeting, and asks if you need to ask him anything first. Ask about the autopsy report. The report hasn't been made yet, but if you need anything, you can talk to him at the criminal affairs department. He also gives you permission to look inside the park. Go to the public beach. ----------------------- GOURD LAKE PUBLIC BEACH ----------------------- Nobody's here, so examine the object on the bench near the screen. It turns out it's a popper, and Maya asks to take it. Select to take it, and the POPPER is added the the court record. Go to gourd lake woods. ---------------- GOURD LAKE WOODS ---------------- On the left-hand screen of this area, examine the camera. The camera is rigged to a device that makes it automatically take pictures at loud noises. Maya tries to set it off, but to no avail. She then remembers the POPPER, and sets it off, removing it from the court record. This sets off the camera snapping pictures, and Lotta Hart shows up to yell at you. Apparently, you used a whole roll of film. Talk about what happened and her name, but she won't answer because she's changing the film on her camera. You need something to get her to talk to you. Maybe she'd talk if she knew you were a lawyer? Present the ATTORNEY'S BADGE and Lotta will loosen up. She's at Gourd Lake to research meteor showers. Talk about what happened, and Lotta says she thinks she might have seen a boat, but couldn't tell it apart from any others she's seen. Talk about Lotta to learn that she's a research student at Country U and came to the lake three days ago to photograph meteors. Talk about the camera to learn that it is programmed to take pictures when it detects loud noises. LOTTA'S CAMERA is added to the court record. Hmm...if the camera is programmed that way, wouldn't it take pictures on a gunshot? Present LOTTA'S CAMERA to bring this up. Lotta goes back into her car to check her photos and see if there's one of the murder. For now, go to the criminal affairs department via the public beach and Gourd Lake entrance. --------------------------- CRIMINAL AFFAIRS DEPARTMENT --------------------------- It looks like Gumshoe is out of his meeting, but he doesn't seem very happy. Talk to him about the victim--they still can't figure out who he is. Talk about the meeting. Gumshoe says he doesn't know what to believe anymore, that everyone thinks Edgeworth is guilty and that you need to stand by him. Talk about trusting Edgeworth to learn that he and Gumshoe have a strong "working relationship". Edgeworth has a good reason for using extreme methods to get a guilty verdict: he trusts the police department's investigation. Talk about the autopsy report to add the AUTOPSY REPORT to the court record. Maya then asks about the photo of the victim, and seems to recall that she met him a long time ago. Read the AUTOPSY REPORT, then go to Gourd Lake Woods via Gourd Lake entrance and the public beach. ---------------- GOURD LAKE WOODS ---------------- Lotta shows up and announces that she's found bingo: a photo of the murder! Unfortunately, there's too much fog to see who's who. However, the photo reminds Lotta that she's a witness to the murder, and asks if she should talk to the cops. Pick either answer, it doesn't matter. Lotta runs off to talk to the police, and the LAKE PHOTO is added to the court record. Go to the public beach. ----------------------- GOURD LAKE PUBLIC BEACH ----------------------- Here, a man in a Santa Claus outfit seems to be mad at Phoenix, until he takes his hood off and is revealed to be Larry Butz from episode 1. Larry is here working his day job as a hot dog salesman, and is wearing the costume on the idea of his new girfriend, Kiyance. Talk to him about what happened to fill him in about the murder on the lake. Larry doesn't seem interested until he learns about Edgeworth, who he seems to know. Apparently, he and Edgeworth were in grade school together. Talk about Edgeworth, and you'll learn that Phoenix, Larry, and Edgeworth all used to be friends. Edgeworth was always trying to be like his father, a famous defence attorney. Maya is confused--why did he become a prosecutor? Talk about Samurai Dogs. They used to be "Gourd Dogs" but Kiyance recommended that Larry change the name. They're very popular, and he's getting lots of customers since Gourdy was seen. Talk about Gourdy to learn that he's a giant monster living in the lake. Larry shows you a newspaper article with a photograph. A quote from the person who took the photograph says they heard a loud bang followed by the sound of something falling into the water. The GOURDY ARTICLE is added to the court record. Go to the criminal affairs department via Gourd Lake entrance. --------------------------- CRIMINAL AFFAIRS DEPARTMENT --------------------------- Gumshoe is in the questioning room with Lotta Hart...things don't look good. Go to the Wright & Co. Law Offices. ------------------------ WRIGHT & CO. LAW OFFICES ------------------------ Maya asks to see the autopsy one more time. Suddenly, she realizes who the man is: a lawyer who used to work with Mia! He worked at Grossberg's office, so Phoenix thinks it might be a good idea to go there and talk to Grossberg. Go to the Grossberg law offices. --------------------- GROSSBERG LAW OFFICES --------------------- Grossberg greets you, and quickly senses that something is wrong. Talk to him about what happened, and he is as surprised as everybody else to learn that Edgeworth shot somebody. Talk about the painting to learn that he doesn't think its ever coming back to the office. Present the AUTOPSY REPORT. Grossberg remembers that the man was a lawyer in his office, Robert Hammond. Talk about Robert Hammond to learn that he was the defence attorney in the DL-6 incident, the case where the police were at such a loss that they used Mia and Maya's mother, a spirit medium, to find the killer. Talk about the DL-6 incident. The DL-6 incident happened 15 years ago. Misty Fey spoke to the late victim, and found a suspect. However, Robert Hammond got the man declared innocent, and the police called Misty a fraud. Maya asks what the case has to do with Edgeworth, and Grossberg reveals that the victim was his father, Gregory Edgeworth! MISTY FEY'S PHOTO is added to the court record. Time to talk to Edgeworth, so go the detention center. ---------------- DETENTION CENTER ---------------- Talk to Edgeworth about what happened and Gourd Lake, and he will not answer either question. Present MISTY FEY'S PHOTO to get him to talk. Edgeworth says that he didn't want you near the case because he didn't want you finding out about DL-6. However, now he's ready to tell you. Talk about the DL-6 incident. The DL-6 incident was when Edgeworth's father died. Right before his eyes, his father was shot, and he saw it all. A suspect was arrested, the only man who could have killed his father. The spirit medium said the same thing, but the man was proven innocent by Robert Hammond, the victim in the Gourd Lake murder. Edgeworth says that he thought the incident was about to end because the statute of limitations was about to run out. Maya asks what this means, and Phoenix explains that, fifteen years after a case occurs, it legally never happened. DL-6 would have been closed in just three days. Talk about the suspect to learn that he went into hiding after being declared innocent, and that he would be about 50 now. Talk about your father. Gregory Edgeworth was quite a famous defence attorney in his time, but Edgeworth would rather not talk about it. Present the LAKE PHOTO. Phoenix asks if Edgeworth shot Hammond, but Edgeworth says no. He then asks you to defend him, although it "pains" him. Say you will, and Phoenix says he can finally pay Edgeworth back. EDGEWORTH'S REQUEST is added the court record. Suddenly, a small earthquake starts, and Edgeworth curls up on the floor in a ball...he seems to have some kind of huge fear of earthquakes. The questioning is over, so go to the criminal affairs department. --------------------------- CRIMINAL AFFAIRS DEPARTMENT --------------------------- Gumshoe is angry at you for finding Lotta Hart. Talk about Lotta's testimony. She saw saw Edgeworth fire the pistol, and had a photograph to prove it. You can't see who's shooting, but Lotta said she would enlarge the photo, making it easier to tell who's firing. Talk about tomorrow's trial. The case seems to be unwinnable, but as Mia always said, if he's innocent, there's something that's been overlooked. Talk about Edgeworth. He wants a public defender, but you already have his request for defence! Present it. Gumshoe starts the paperwork, but remembers the earthquake and says that he was worried about Edgeworth. There's definitely something with Edgeworth and earthquakes, but it wasn't there when he and Phoenix were in school together. Anyway, time for an awesome trial. Trial 1 In the lobby, Edgeworth introduces you to the case's prosecutor, Manfred von Karma, a "god of prosecution" with a 40-year winning streak. He'll do anything to get a guilty verdict, which sounds a little like Edgeworth, only multiplied by ten. Great. Von Karma was Edgeworth's teacher, somewhat like what Mia was to you. Speaking of which, Phoenix tells Maya that her sister would be a big help. Maya can't cal her, though, because she hasn't been training lately. Time to start the trial. Von Karma appears to have the judge completely terrified: yet another thing working against you. In von Karma's opening statement, he says that decisive evidence and a decisive witness are all that are needed to prove Edgeworth guilty. He then calls Dick Gumshoe, who describes the incident. The murder happened around midnight on Christmas Eve, and there was one boat in the middle of the lake, with two men in it. There was a woman camping on the edge of the lake, who heard two gunshots at 12:10 AM. Then the boat moved back to the rental shop. The OVERHEAD MAP is added to the court record. Gumshoe then gives a testimony on the arrest. ------------------------------------------------------- WITNESS TESTIMONY: DICK GUMSHOE-THE ARREST OF EDGEWORTH ------------------------------------------------------- A man called into the station 30 minutes after midnight, and they headed to the crime scene as fast as they could. That's where they found Edgeworth. Gumshoe didn't suspect anything, but they found a body in the lake next morning, so they had to arrest him. ------------------------------------------------------- CROSS-EXAMINATION: DICK GUMSHOE-THE ARREST OF EDGEWORTH ------------------------------------------------------- The weakest statement appears to be the last one, in which they arrest Mr. Edgeworth. Why would he have been immediately linked to the body? Press the final statement, and Gumshoe explains they arrested him because they found the murder weapon, a pistol, in the boat. A statement is added to the testimony saying that the weapon in the boat was decisive evidence, although he doesn't explain why. Press the new statement to ask what about the pistol made it evidence. There were fingerprints on the gun, clearly from Edgeworth's right hand. The PISTOL is added to the court record. The next statement to press is the one about the body found in the lake. Phoenix asks if any clues were found on the body, and Gumshoe shows a single PISTOL BULLET that is added to the court record. Von Karma asks if the bullet from the body was fired from the pistol, and Gumshoe says it was, as the ballistic markings match. Maya doesn't know what this means, so von Karma makes the judge explain. Ballistic markings are distinctive marks left on each bullet as it fires--sort of like a gun's fingerprints. The evidence is very clearly against Edgeworth, but the judge wants to hear Lotta speak, so von Karma agrees to put her on the stand after a ten-minute break. Phoenix yells at Edgeworth about the prints, and Edgeworth admits that he was in the boat but didn't shoot him. However, he doesn't know who did. He says that he heard a gunshot from somewhere close by, then the other man in the boat fell in the water. He can't say why, but thought the man shot himself. Meanwhile, Maya hasn't made any progress with Mia, and believes that she's useless if she can't call her sister. Phoenix is a nice guy, so tell h